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These works were produced through collaborating with the environment by bathing c-type prints in canal water collected from the site in which the image was taken. In this way, the environment merges with the print, enabling it to take on a role in depicting itself by breaking down the physical layers of the image. The resin on the surface of the print is initially disrupted, once corroded, the cyan emulsion layer is affected next, followed by magenta and finally yellow - resulting in a partially abstracted image. Through connecting the work in a more concrete way to the place it depicts, the work attempts to open up the spirit of the place - allowing it to make its mark on the work.